“But is it Theatre? Colonial Culture‘s Impact on Theatrical History in India.” In Theatre History: Critical Questions, edited by Henry Bial and Scott Magelssen. University of Michigan Press.
“Classics, Cultural Politics, and the Role of Antigone in Manipur, NE India.” In India, Greece, and Rome 1757-2007 edited by Edith Hall and Phiroze Vasunia. London: Institute of Classical Studies, University of London.
“Mahesh Dattani: Invisible Issues.” In Mahesh Dattani’s Plays: Critical Perspectives, ed. Angelie Multani. New Delhi: Pencraft International.
Editor, India section, Columbia Encyclopedia of World Drama, ed. Gabrielle Cody and Evert Sprinchorn. Columbia University Press. Also author of general entry on Indian theatre, as well as entries on Kavalam Narayana Panikkar, Girish Karnad, Ratan Thiyam, Mahesh Dattani, Tripurari Sharma, Usha Ganguli, Ottayan, Theyyatheyyam, Hayavadana, Tughlaq, Chakravyuha, A Muggy Night in Mumbai, 30 Days in September, Rudali.
“Hayavadana: Model of Complexity.” In Girish Karnad’s Plays: Performance and Critical Perspectives, ed. Tutun Mukherjee. New Delhi: Pencraft International.
“Mee on Mee.” TDR 48,3 (T175).
“Star of India: Ratan Thiyam.” American Theatre, July/August.
“Mahesh Dattani: Invisible Issues.” Performing Arts Journal, Issue #55.
“Kavalam Narayana Panikkar: Meaning into Action.” Performing Arts Journal, Issue #55.
“Tripurari Sharma: Out in the Open.” Performing Arts Journal, Issue #55.
"Adding Texture To Text: Kerala Theatrical Techniques in Shakespeare's Timon Of Athens." Seagull Theatre Quarterly 5:54-59.
"The Use of Folk Philosophy in Kavalam Narayana Panikkar's Poetic Theatre of Transformation." Seagull Theatre Quarterly 7:58-62.
Book Review: “Performance Studies and the Cognitive Turn.” Review of Performance Cognition: Theatre Studies and the Cognitive Turn and Engaging Audiences. TDR (T211).
Book Review: Classics in Post-colonial Worlds and Crossroads in the Black Aegean. Theatre Journal. March.
Book Review: Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947 by Aparna Dharwadker, Poetics, Plays and Performances: The Politics of Modern Indian Theatre by Vasudha Dalmia, and A Critical Stage: The Role of Secular Alternative Theatre in Pakistan by Fawzia Afzal-Khan. TDR. Winter (T196).